Teaching Statement
Teaching filmmaking and cinematography is about more than just showing students how to use a camera or light a scene; it’s about helping them find their own creative lens and way of seeing the world. I try to approach each class not just as instruction but as a space for exploration where students can ask questions, take risks, and really think about why certain choices matter when telling a story visually.
I’ve taught a mix of courses from lighting and production to cinematography with both digital and 16mm cameras at Ohio University and Hocking College. My teaching style leans heavily on collaboration and doing. I believe students learn best when they’re actually making things, not just talking about them. So, we dive into hands-on projects, critique each other’s work, and often break down scenes frame by frame to understand how visual language really works. I try to keep focus on processes, not perfection, and I encourage students to embrace mistakes as a natural part of growing as artists.
As someone who immigrated to the U.S., I bring a cross-cultural perspective that shapes how I approach filmmaking and teaching. I encourage students to draw from their own backgrounds and identities and use film as a way of exploring those experiences. I do my best to make the classroom a space where everyone feels seen and safe enough to be honest in their work and where we can have thoughtful conversations about the things that matter to us.
I don’t pretend to have all the answers. What I hope to do is help students ask better questions, the kind that push them to dig deeper into their ideas, their visuals, and their purpose as filmmakers. At the end of the day, my goal is for students to walk away not just knowing how to make a film but feeling like they have something worth saying and the tools to say it.
Teaching Statement
Teaching filmmaking and cinematography is about more than just showing students how to use a camera or light a scene; it’s about helping them find their own creative lens and way of seeing the world. I try to approach each class not just as instruction but as a space for exploration where students can ask questions, take risks, and really think about why certain choices matter when telling a story visually.
I’ve taught a mix of courses from lighting and production to cinematography with both digital and 16mm cameras at Ohio University and Hocking College. My teaching style leans heavily on collaboration and doing. I believe students learn best when they’re actually making things, not just talking about them. So, we dive into hands-on projects, critique each other’s work, and often break down scenes frame by frame to understand how visual language really works. I try to keep focus on processes, not perfection, and I encourage students to embrace mistakes as a natural part of growing as artists.
As someone who immigrated to the U.S., I bring a cross-cultural perspective that shapes how I approach filmmaking and teaching. I encourage students to draw from their own backgrounds and identities and use film as a way of exploring those experiences. I do my best to make the classroom a space where everyone feels seen and safe enough to be honest in their work and where we can have thoughtful conversations about the things that matter to us.
I don’t pretend to have all the answers. What I hope to do is help students ask better questions, the kind that push them to dig deeper into their ideas, their visuals, and their purpose as filmmakers. At the end of the day, my goal is for students to walk away not just knowing how to make a film but feeling like they have something worth saying and the tools to say it.
Trailer, I cut together from 22 sophomore films, highlighting each student’s voice in a collective showcase.
Filmmaking II, Ohio University, Fall 2024
Trailer, I cut together from 22 sophomore films, highlighting each student’s voice in a collective showcase.
Filmmaking II, Ohio University, Fall 2024


Car Scene Lighting - Students rigging lights and diffusion to simulate nightlight for an interior car scene exercise.
(Advanced Film Lighting, Ohio University, Spring 2025)
Car Scene Lighting - Students rigging lights and diffusion to simulate nightlight for an interior car scene exercise (Advanced Film Lighting, Ohio University, Spring 2025).


Phone Booth Setup - Cinematography students practicing motivated lighting and coverage inside a phone booth set.
(Advanced Film Lighting, Ohio University, Spring 2025)
Phone Booth Setup - Cinematography students practicing motivated lighting and coverage inside a phone booth set (Advanced Film Lighting, Ohio University, Spring 2025).


Classroom Scene Recreation - Group working with diffusion panels and tungsten units to re-create a cinematic classroom lighting setup.
(Advanced Film Lighting, Ohio University, Spring 2025)
Classroom Scene Recreation - Group working with diffusion panels and tungsten units to re-create a cinematic classroom lighting setup (Advanced Film Lighting, Ohio University, Spring 2025).


Mixed Light Exercise - Students experimenting with soft and hard sources, balancing color temperatures for dramatic effect.
(Advanced Film Lighting, Ohio University, Spring 2025)
Mixed Light Exercise - Students experimenting with soft and hard sources, balancing color temperatures for dramatic effect (Advanced Film Lighting, Ohio University, Spring 2025).